Sha Stimuli – I’ll Be There

Here goes yet another amazing track from Sha Stimuli. The fact that folks still sleep on his music is mind bottling © Chazz Michael Michaels. Wake up people! Take a few minutes out of your (not so) busy day and check this out. You won’t regret it, I promise. And if you’re digging what your hearing do yourself a favor and pre-order his upcoming album, My Soul to Keep, which is dropping on October 27th.

DOWNLOAD: Sha Stimuli – I’ll Be There* | Mediafire

*Won’t be found on My Soul to Keep.

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17 Responses to “Sha Stimuli – I’ll Be There”

  1. What’s the password?

  2. cant wait for this album sha is dope
    but it says password for this track?

  3. Let me tell you fellers…..is it the year of Hip Hop or what?
    here have been so many ill artists putting out great music, I dont know what to listen to first anymore. I mean it…Its getting crazy.
    Can I get a witness!
    Sha Stimuli is a ghost writer for some of your favorite rappers. I promise. The only problem is is that I am unable to tell you who. But trust me. He has some pretty decent allcolaides….I would strongly recommend check his album out. I know it was hard work for all the cats who helped him. So it will be a classic. But, dont take my word for it…..see for yourself. But, dont say I never told ya. cause i did! peace to all the heads who are down with 2dopeboyz.

  4. lol@ quoting chazz michael michaels

    Sha is deff dope!

  5. REAL dope track..whats the instrumental he spits over?

  6. this dude is nasty…

  7. I slept on sha for too long, till after he dropped all his 12 mixtapes in 12 months, went back, listened to all of them and he’s best pure hip hop mc out there. this track is dope and cant believe not one track from his album has leaked! oct 27…cant wait, dont sleep

  8. Lamborghini dreams beach house wishes
    Poor bottles of champagne for my beach house bitches…

    Same sample?

  9. @visco – move back ft. Freeway & young chris has leaked

  10. @DreamVillain: beat is straight pink floyd “keep talking”, I know Wiz Khalifa uses this on Burn After Rolling

  11. Sha probably won’t sell much with his album, but in my opinion he’s currently the best out there. The consistency of bars, pure lyricism. Though again I have to admit some of his beats have been way off, hope he nails everything on the album.

  12. is there a version with of move back with a young chris verse?

  13. has a tracklist even came out for the album,i cant wait for this,its my most anticapated album of the year

    people need to wake up to sha

    lately is my shit,im always listen to it

  14. Wtf hope sha didn’t pay for this beat cause this is damn near the same beat as “Wiz khalifa’s B.A.R (Burn after rolling)” which in my opinion is a million times better then this and I fux with sha but this song is waxck the hook just as wack

  15. B.E.T Hip-Hop Awards 2009 Eminem Freestyle Cipher
    http://www.youtube.com/watch?v=o4nRBxxYInI

    here is a review of the cypher in the bet hip hop awards thing (bet cyphers are the only thing i care about from BET, other than that they could all commit Japanese ritual suicide.)
    Undoubtedly, the main reason to watch this show is for the three cyphers. DJ Premier was on the boards for all three, and the first featured Wale, Nipsey Hussle, G-SAN, and KRS-One. The preceding three did well, but as a veteran freestyler it was the Blastmaster who emerged with the best verse. The second group featured Nicki Minaj, Buckshot, Crown Royal, and Joe Budden. Minaj surprised many in the crowd with an engaging verse highlighted by a clear, precise flow, and several vocal inflection changes mimicking the chipmunk soul sample effect and the snobbish accent of an aristocrat. The flair and energy Minaj showed had everyone thinking she took this round. That is, until Joe Budden ended matters.
    The controversial Jersey lyricist casually strolled front and center and shut down the mic. Even though this type of Atlanta crowd wasn’t familiar with his history, his bars were too good and an audience that was previously going wild over Soulja Boy and Gucci Mane was mesmerized by his performance. Even with the physical assault from the Wu and scrutiny from other vets like Melle Mel, Budden didn’t hesitate to throw a few subliminals their way (“I said something that got the vets upset/But I’m a student of the game/Not a teacher’s pet.”). There were further nice lines about artists needing majors to succeed, while he just needed an “ethernet cable,” which was juxtaposed with a previous line reference to the classic diss “Ether.”
    And when everyone thought the cyphers were done, we saw Premier again flashed on the screen surrounded by Mos Def, Black Thought, and Eminem. Before they said a word, the crowd started buzzing and clapping (especially among press row), because anyone with a semblance of Hip-Hop awareness knew what was about to go down.
    Mos started first, and ripped it with a verse showcasing veneration for Islam and its offshoots like the Nation of Gods and Earths. Midway, Mos started going back and forth between traditional rhyme schemes and the Jamaican toasting that originated Hip-Hop, eliciting claps from the audience. Black Thought went in next, and brought his usual rapid-fire, flawless flow. He spit longer than Mos, and got the crowd even more engaged as Eminem stood next to him nodding and taking in the bars. The crowd buzzed anytime Em appeared on screen, no doubt anticipating a great closer as each emcee’s verses built further anticipation.
    People have marveled at Eminem’s verse of “Forever.” It you were impressed with that, just make sure to tune into this award show. I gave up trying to write down what he was saying because the flow was too nasty and fast for my hand, but I can verify the crowd went crazy when he brought an assonance heavy rhyme scheme that brought together several Arabic names to highlight how he was mixture of several figures like Barack Obama and Saddam Hussein. Honestly, once he finished the show could’ve ended right there.

  16. Not hearing it. What am i missing people?

  17. biggest mike,.if u arent hearing it, then you arent famliar with sha’s body of work. some songs arent really for the occaisonal listenr. like for example..when i heard Nas on “Half Time” it was a couple of years before ILMATIC came out..and i was like..ok dude is GOOD..but erra ummm..
    but when you put it in CONTEXT? you understand…dig it?

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